合気解説

Aiki Explanation

     Aiki Demonstration                      
 

 2008-6-1 (Brazil/SaoPaulo)                                    

  
 2010-5-18 Brazil/SaoPaulo

[Ⅰ]  About Aiki Skill                               15 April 2015
Aiki is just a word. I think that we should accept this word not some name of martial arts, but as name of some skills. In Japan, there are several ancient martial arts that are following traditional skills and forms. Perhaps Aiki will be one of them, besides we will recognize that it is a non-competitive skill. 

After the Second World War, as far as I know, GM Morihei Ueshiba created Aikido by using Aiki skill of Daito-Ryu Aiki Jujitsu and other martial arts.
Aiki skill is comprised of small and subtle motions, therefore from that time, the private lesson seems to have been common practice. But since that present time mass training has become the mainstream, and the type of skill has changed too.  Now big motions that are easy to see are the norm. I think that Aikido is composed of these two types. When I showed Aiki to my Taiwanese friend 15 years ago, he was surprised and said, “it’s a skill of Neigong” At that time, I completely didn’t know the meaning of Neigong. I remember that I answered soon, “This is Aiki, not Neigong.”  But it seems that Aiki exists in the category of Neigong in the Chinese block.

With the skill of Aiki, the practitioner must assimilate themselves, into the opponent, and at the same time incorporate the opponent as one part of their being. When you push or pull the opponent, you have to touch the surface of the opponent, namely the skin. It seems that the movements are rubbing or scooping against the part of the opponent. If the body is one of unity, the movement of pushing or pulling against the body will properly cause reactions. Decreasing these reactions may be a caracteristic of Aiki; especially in the movement of up and down the important thing is to understand and use gravity. It is very difficult to explain about Aiki, but if we experience Aiki, the difference is very clear. The important thing is to keep our body in a usual shape, and to remake our body like a heavy rope by doing training. Besides, when we do training, grab the floor by the feet and keep the axis of the body, and then perhaps we will be able to create Aiki with our movements, we and the opponent already will have been blending. This feeling is difficult to happen from the competition style. Aiki is the skill of not crushing each other but blending each other.

On the other hand, it seems to include phenomena of frozen skill too.  Aiki skill is not supernatural, it's only to sharpen our own usual power and refine our sense by blending to the opponent. A big person should get Aiki of a big person; a small person should get Aiki of a small person. This Aiki ought to happen in other martial arts too; but it’s too small to notice. I feel that Aiki is not just the monopoly of Aikido.


Japan Medical Kendo Federation
At the Kyoto Budo-Center
2015-4-11 The 50th time Kendo Meeting       

 


合气解

 

   
                       



   2009-9-21国南山
    

(一)  关于合气的巧妙的技能            
                           二〇一五年四月十五号
 

  中国武有内功的言是非常好的言,但日本武没有。不日本有合气的言个言不是武的名称,应该理解的名称。在日本有不少的传统技和形式的古武,合气大概会是之中的一个。个技是不能比化的。太平洋争以后,植芝盛平始人从大流合气柔把合气作核心体系化了合气道。

  到了代,以集体指导为主的形式行了,以求可的、大的变动就是所的柔。我认为,合气道是两种技的合二一。

  十几年前,我把合气的技展示台湾的友人看的候,他很吃惊,是内功的招式。,由于我内功词语的意思并不了解,所以回答他是合气,不是内功。但是,在想想,叫法虽然不同,但所合气,在中地区应该正是存在于内功的范畴之中的。我没有内功知,但很有兴趣。尽可能不让对手知道自己的招式而和手混在一起,将手作自己的一部分而制其作。

  攻击对手的候,应该似的,攻击对手的身体表面,而不是推。也就是,如果将整个身体作一个个体,却部分的肌肉行推和拉的,必然会生反作用。如何将个反作用减到最小,也正是合气的特征所在。特别是上运动时如何理解重力的存在,以及不生相反的作用。如果想用言解合气的内容,非常困。但是,要是用身体接触会使用合气的人的,会很容易感受到区别所在。

  之,重要的是不自己的身体僵硬,感受从两臂到全身,像一条粗的鞭子那的重量,逐渐练习以求改。用脚掌抓住地板,持自己的重心,个姿造出合气的第一步。作为结果, 成自己的一部分,好像合二一一种感在比以捉摸,从另一面也说这好像是紧紧地捆。合气的技是把各自的(体力和)动态能量最大限度发挥出来的训练,最低条件是要保持平衡。大身体的人有大身体的合气,小身体的人也应该掌握自己的合气。我认为,其他的武中也会生合气的技,因很小,往往不能察而已。所合气,不是只有合气道中才有的技


  个古文的意思好像是合气技明。

  余之彼如兄,而彼之吾如弟,久其精于武技,适触所好,因再三致。 
                                                                 
  彼不, 己不。 彼微,己先。以己依人,要知己,乃能隨隨接。
  以己黏人,必知人,乃能不后不先。
                                    


 第五十回全日本大夫盟大会  合气公开演武
 (在京都武道中心)二〇一五年四月十一号





(
二)  关于合气和内功的巧妙的技能            

  刘积顺认为,要做到“擎引松放”,接好别人的是关。在接程中互相接触有一定幅度的转动转动是很微小的化,没有转动,就无所“擎引”了。在转动的当中,吃掉方的一部分给对方一个这过程中双方沾在一起,我可以把方的手臂作手臂的延,通过对方的手臂把劲发放到自己确定要打的方的某个身体部位上,方的走化不了,即被我放出去。

个文章都包含着深邃的技

   
                                          《太極拳-奇人・奇功》 翰秀